History, Memory and Archives: Contemporary Lens-Based Art from the Democratic Republic of Congo
The African Languages, Literatures and Cultures Network
Image caption: Georges Senga, Une vie après la mort, 2012. Courtesy of the artist.
History, Memory and Archives: Contemporary Lens-Based Art from the Democratic Republic of Congo
Wednesday 8 March 2023, 3.30pm - 5pm
This event is free and all are welcome
Speaker: Gabriella Nugent, Leverhulme Early Career Fellow, University of East Anglia
Watch here:
https://www.youtube.com/embed/NEt902k_fuY
The globalisation of the artworld in the 1980s and 1990s and its expansion beyond a Eurocentric matrix led to the proliferation of alternative perspectives onto shared colonial histories in artistic work. This shift coincided with the archival turn in contemporary art from the mid-1990s onwards, which saw artists make archives and archival documents the subject of their work. Drawing from my book, Colonial Legacies: Contemporary Lens-Based Art and the Democratic Republic of Congo (2021), I discuss the ways in which contemporary artists born or based in Congo, such as Sammy Baloji, Michèle Magema and Georges Senga, have deployed archival material to contest dominant narratives around the colonial and immediate post-independence past. Free from the protocols of history and armed with accessible digital technologies, these artists resignify old photographs and documentary clips. They play with the poetic capacities of visual art to create new understandings of the past in the present – and equally new understandings of the way the colonial past inhabits the postcolonial present.
Biography:
Gabriella Nugent is a Leverhulme Early Career Fellow in Department of Art History and World Art Studies at the University of East Anglia. After completing her PhD in History of Art at University College London, she was awarded grants from Sharjah Art Foundation and the Paul Mellon Centre for Studies in British Art. She is the author of Colonial Legacies: Contemporary Lens-Based Art and the Democratic Republic of Congo (Leuven University Press, 2021) and Inji Efflatoun and the Mexican Muralists: Imaging Women and Work between Egypt and Mexico (Sharjah Art Foundation, 2022). Her current book project explores expectations of difference in global contemporary art, specifically with regards to the experiences of African artists.
The event is free and all are welcome!
Part of the African Languages, Literatures and Cultures Network events
